Ever came across an extraordinary production and you were like “how they do it?”
In our studio, the location comes to the crew instead of the other way around.
From an Italian square to a Russian red square. We can create any landscape or location on our 300 square meters semicircular LED cave. Our facilities combine state-of-the-art video game engines, designers, camera-tracking technology, powerful graphics processors. Allowing productions to capture scenes & environments in the studio rather than traveling to remote locations or deploying set-builds.
Producing ‘The Mandalorian’ ‘Marvel titles’ and many more Emmy nominees titles wouldn’t be possible without the latest virtual production & CineBot technologies.
Changing locations has never been easier, whether changing the time of the day or the weather conditions, all changes can be directly updated through a tablet while filming. No more waiting for the golden hour.
Using advanced and innovative technologies that actually allows actors to get a FEEL of what they’re doing, so they can deliver emotions and interactions best. Our LEDs stages do not only allow professionals to interact with the scenery, instead of looking at a lifeless green screen. yet realistic lightning from the environment itself is emitted, allowing skin tones and reflections to appear natural while filming.
In our studio, the location comes to the crew instead of the other way around.
We create any landscape or situation on our 300 square meters semicircular LED screen. Our facilities combine state-of-the-art video game engines, designers, camera-tracking technology, powerful graphics processors. Allowing productions to capture scenes & environments in the studio rather than traveling to remote locations or deploying set-builds.
Changing & updating the virtual environments has never been quicker, whether changing the time of the day or the weather conditions, all changes can be directly updated through a tablet while filming No more waiting for the golden hour.
Iron Films capture cinema-quality content using advanced and innovative technologies that actually allows actors to get a FEEL of what they’re doing, so they can deliver emotions and interactions best. Our LEDs stages do not only allow professionals to interact with the scenery, instead of looking at a lifeless green screen. yet realistic lightning from the environment itself is emitted, allowing skin tones and reflections to appear natural while filming.
• Storybording
• Pre-visualization
• VR-scouting
• Pitch-visualization
• Tech-visualization
• Virtual set design
• Real set design
• Production design
• Full body Mocap
(VIRTUAL) PRODUCTION
• Camera gear and crew
• Light and grip
• LED wall technicians
• Unreal operators
• CineBot MoCo
• Camera tracking
• Incamera VFX
• Still photography
The advantage of a virtual production pipeline are that you can reduce the footprint of your production down to the size of a stage.
Rick Heinrichs - Production Designer, Effects Artist.
Often a movie flops because the director just can’t see it all together until it’s too late.
Ben Grossmann - Oscar-winning and Emmy Award-winning Visual Effects Supervisor
Virtual Production set out to solve a classic VFX/animation problem—how to direct a story when the director cannot see everything they are supposed to be directing.
