Ever came across an extraordinary production and you were like “how they do it?”

DOWN3
In our studio, the location comes to the crew instead of the other way around.

From an Italian square to a Russian red square. We can create any landscape or location on our 300 square meters semicircular LED cave. Our facilities combine state-of-the-art video game engines, designers, camera-tracking technology, powerful graphics processors. Allowing productions to capture scenes & environments in the studio rather than traveling to remote locations or deploying set-builds. 

Producing ‘The Mandalorian’ ‘Marvel titles’ and many more Emmy nominees titles wouldn’t be possible without the latest virtual production & CineBot technologies.

In our studio, the location comes to the crew instead of the other way around.

We create any landscape or situation on our 300 square meters semicircular LED screen. Our facilities combine state-of-the-art video game engines, designers, camera-tracking technology, powerful graphics processors. Allowing productions to capture scenes & environments in the studio rather than traveling to remote locations or deploying set-builds.

Want to check out our work live in action?

ALL SERVICES

PRE-PRODUCTION
• Storybording
• Pre-visualization
• VR-scouting
• Pitch-visualization
• Tech-visualization
• Virtual set design
• Real set design
• Production design
• Full body Mocap
(VIRTUAL) PRODUCTION
• Camera gear and crew
• Light and grip
• LED wall technicians
• Unreal operators
• CineBot MoCo
• Camera tracking
• Incamera VFX
• Still photography
POST-PRODUCTION
• Colorgrading
• Retouching
• Editing
• CGI visual effects
• Sound design
• Motion graphics
• Graphic design
• TV deliverables

Tools we use

The advantage of a virtual production pipeline are that you can reduce the footprint of your production down to the size of a stage.
Rick Heinrichs - Production Designer, Effects Artist.
Often a movie flops because the director just can’t see it all together until it’s too late.
Ben Grossmann - Oscar-winning and Emmy Award-winning Visual Effects Supervisor
Virtual Production set out to solve a classic VFX/animation problem—how to direct a story when the director cannot see everything they are supposed to be directing.
Forbes